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Merge pull request #360 (remove +ilme
flag)
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commit
c6021ea19b
@ -796,12 +796,12 @@
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<dt><em>output_file</em></dt><dd>path, name and extension of the output_file</dd>
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</dl>
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<p>An alternative that preserves interlacing information for a ProRes 422 HQ file generated, for example, from a tape master (credit Dave Rice):</p>
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<p><code>ffmpeg -i <em>input_file</em> -c:v prores_ks -flags +ildct+ilme -map 0 -c:a copy -profile:v 3 -vf hue=s=0 <em>output_file</em></code></p>
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<p><code>ffmpeg -i <em>input_file</em> -c:v prores_ks -flags +ildct -map 0 -c:a copy -profile:v 3 -vf hue=s=0 <em>output_file</em></code></p>
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<dl>
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<dt>ffmpeg</dt><dd>starts the command</dd>
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<dt>-i <em>input_file</em></dt><dd>path, name and extension of the input file</dd>
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<dt>-c:v prores_ks</dt><dd>encodes the video to ProRes (prores_ks marks the stream as interlaced, unlike prores)</dd>
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<dt>-flags +ildct+ilme</dt><dd>ensures that the output_file has interlaced field encoding, using interlace aware discrete cosine transform and interlace aware motion estimation</em></dd>
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<dt>-flags +ildct</dt><dd>ensures that the output_file has interlaced field encoding, using interlace aware discrete cosine transform</em></dd>
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<dt>-map 0</dt><dd>ensures ffmpeg maps all streams of the input_file to the output_file</dd>
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<dt>-c:a copy</dt><dd>copies the encode settings of the input_file to the output_file</dd>
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<dt><em>output_file</em></dt><dd>path, name and extension of the output file</dd>
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